What do you get when you cross one of Korea’s most noted directors, a runaway ox cart filled with a bevy of Hollywood starlets, a long-forgotten Native American myth, and a $225 million budget? If the end result is “Buffalo Women of the Un-Dead,” the answer is a big stinking pile of manure. “Buffalo Women” is a prime example of how so much can go so wrong when Hollywood becomes enamored with the latest foreign wunderkind. Read the rest of this entry »