If history has taught us but one thing, it is every time Robin Williams plays a dramatic role in a film with three words in the title, he’s Oscar bound. Look at his relationship with Oscar: “Good Morning, Vietnam,” “Dead Poet’s Society,” “The Fisher King,” and finally a win for “Good Will Hunting.” “Good Morning, Vietnam” was his first major hit, a brilliant combination of humor and pathos set against the blossoming Vietnam War. Williams didn’t do another feature film until 1989’s “Dead Poet’s Society,” and once again proved that he was more than a hyper kinetic comedian. Read the rest of this entry »